All is quiet. An undying heat settles upon the sand as a ironic wind silently glides over the earth, creating a vaporizable salmagundi of dirt and air. Hardly a sign of manners is view equal to(p) through the thick and oppressive haze. thither is only an perpetual sea of shifting dunes that extends into the horizon, stretching towards eternity. This is the bring from, an oasis of nature unaffected by society?s disregard and the setting for much(prenominal) of Nadine Gordimer?s novel The Pickup. Throughout the wrangle of the book, this environment takes on a unique yet as significant symbolic meaning to the central characters Julie and Ibrahim. The Pickup uses Julie and Ibrahim?s interaction with the devastate in order to demonstrate the secern cultures of both, and thereby gives sixth sense into their mutual struggle for individuality in the world. When Gordimer first introduces the point of the give up in the novel, the distinct cultures of Julie and Ibrahim as we ll as their blatant ignorance of these differences becomes apparent. Julie?s only exposure to the vast and waste material forsake of Ibrahim?s country has been through idyllic photographs and imaginings. To her knowledge, the desert is a ?picture-postcard place? of perpetual heat? (p.153), making Ibrahim ?a cut-out from a background that she surely imagines only wrongly. Palm trees, camels, alleys hung with carpets and presidency vessels? (p.25).
It is non until their shared voyage to Ibrahim?s home that Julie is able to cut between fact and fiction. Struck by the absence of the old(prenominal) palm trees ass umed to coat the wasteland, Julie is forced ! to assess her old judgment of the man known as Abdu, masking him genuinely for the first time as Ibrahim. However, Ibrahim?s encounters with the desert birth his internal struggles with identity to culminate. From the beginning, Ibrahim?s total condescension for... If you postulate to get a full essay, order it on our website: OrderCustomPaper.com
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